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Timecode overlays are for very specific needs, usually for those big corporate productions that have lots of expensive hardware in the production pipeline. But you dont have to wait around for a hardware upgrade to get them working. Adobe added the ability to export them in their recently released Media Encoder 6, and those codecs are now even easier to find. Google for mp4 h.264 AAC ProRes or Avid DNxHR. Anyone looking to add video overlays to their Next Generation Media Encoder preset could also do so by downloading the free ( AFE MTL ) and simply editing the XML file with your favorite text editor. It will look something like this:
For Avid editors, theres another trick that works too. In Avid Media Composer, export your clip to a P2. Then, go into each clip, select the File > Export > P2. Thats what I do. Avids Linked file system only allows for one P2 file per project. But, remember, you need a P2 codec to get the export to work.
How does one get these encoders? They come pre-installed with pretty much every major video editing application. When using Premiere Pro and After Effects, I see all of the video formats using the built in presets, including the MPEG4 AVC HD preset, which allows them to be saved at the lowest bitrates without additional software. For example, I can do a rather detailed export at MP4 high quality and at roughly 1 megabit per second. In fact, the resulting file is almost 300 MB.
To make sure theyre saving a proper media file, check the Save As with the following formats: ProRes, Avid DNxHR, or AVC HD. The same format has to be selected for the Original Source in order for them to have any effect.
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Learn how to convert QuickTime movies to AVI format using Adobe Media Encoder. It features video and audio settings that you can apply to your video, and conversion settings to optimize the output.
With the Adobe Media Encoder, you can save hard drive space when exporting videos, giving them the option to scale video resolution and compress file sizes. These options are vast and give detailed sizing options.
Watch a quick tutorial from the makers of Adobe After Effects on getting started with Adobe Media Encoder. The tutorial covers the basics of exporting videos, using settings to change your output size and quality, and exporting with presets.
The tutorial comes from Tobias Gleissenberger of Surfaced Studio (one of the better YouTube channels around for Premiere and After Effects tutorials that arent completely boring), and it tackles the basics of the Lifetime Adobe Media Encoder Version. Youll learn a few different ways to get Premiere sequences and After Effects comps into Media Encoder, some tips for changing your encode settings and a really neat way to automate some of your encoding workflows. Check it out:
The tutorial comes from Tobias Gleissenberger of Surfaced Studio (one of the better YouTube channels around for Premiere and After Effects tutorials that arent completely boring), and it tackles the basics of the Adobe Media Encoder.
The other great Media Encoder feature that Tobias shows off in this tutorial and the one thats far more exciting is watch folders, which allows you to create automated encoding workflows. As the name suggests, watch folders are local folders on your computer that Media Encoder constantly scans for new media files. Whenever something new is added to a watch folder, Media Encoder will automatically transcode the file based on whatever preset you want.
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One of the differences between the new feature set of the Adobe Media Encoder and the original one is the addition of a more elaborate REST interface. We now support the request for comp inbound remote detection, allowing you to dynamically detect new media files or compilation changes in real time. You can also now specify which files you want to detect via their local path instead of their absolute path. For each remote detection event, you can set the follow on attribute to notify the browser that it should download the file or request the file from a specified URL instead of from the local system. Use the follow on attribute in the same way you use the follow type attribute to create remote content.
This is a very basic tutorial that illustrates how to get your project into your media encoder and how to do basic manipulation/encoding of your video clip. Great if youre looking to jump right in and start a new project but arent sure where to get started.
One of the best features of the Adobe Media Encoder is the ability to target the encoder to just a single clip or sequence while preserving all other media and tracking in your project. You can use the All In One Media Encoder if youre going to do this a lot, but if you only need it once, this is still a great way to control the encoder without having to run a Compressor, Compressor Plug-in, and/or Media Server job on the entire project. How does it work?
What if youre a closed network where you cant use HTTP or FTP? All of this functionality extends to MMS messages too. And even though its an older tool, its very easy to create a playlist file and have the encoder process it one clip at a time. You just need to know how to point it at the file youre processing.
Adobe Media Encoder System Requirements
- 1.5 GHz x86 processor or higher
- 1 GB RAM
- 10 MB of free disk space for installation
Adobe Media Encoder Features
- Convert video into any digital format with a variety of output methods including compressing MPEG, MPEG-4, 3G2, H.264, and IFF.
- Produce AVI, MPEG-4, 3GP, and MP3 file formats
- Build slick multimedia presentations by creating fully integrated documents for printing, e-mail, or streaming online.
- Achieve better conversion quality than DVD shrinkers at up to 60x faster speed with a powerful new post-processing engine.
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