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Patched Ableton Live Version is great in my books, however, its limitations are clear to everyone else. In this list of reasons to choose Live, I am not going to make any claims about its limitations. In fact, I encourage you to check them out and decide for yourself. Anyway, this list is not about the list of reasons to love Live, but about the lesser-known features that I think are particularly interesting and worthy of attention. I am also aware that the list of reasons to choose Ableton over Live is longer than the list of reasons to choose Live. If I were to list my reasons to choose Ableton over Max, and add it to the original list, it would certainly be something like Live is better because it does everything Max does.
Live now integrates Max quite easily into its main feature set. You can add the ability to open and view your Max project, even if you do not have Max installed locally. This is hugely convenient for those who just want to open a project that they have on their computer.
Live makes much greater use of the hosts default screen sizes and you can’t get away with it in live sessions. As a result, you’re more likely to need a bigger monitor when working in Live than you would in the typical DAW. When you export your session in Max, the output is sent directly to the screen. This means you have to worry less about a host’s display being corrupted.
In a lot of ways, Ableton has stood the test of time. Since its early days, Live has never had a natively supportive version of stereo record, and yet it’s been possible to mix and record sessions in almost any situation imaginable. The platforms support for matrixed MIDI performance is strong and it can be worth looking into if you want to focus on the audio aspects of your work.
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Those familiar with previous versions of Ableton will know that the main interface is now split into two areas, with the top panel showing a list of clips and the bottom panel containing a more detailed view of the track. As you click tracks, clips, and instruments in the top panel youll see this information appear on the lower right hand side of the window. You can drag clips around and rearrange them in the track list or lower panel, and they will remember their position so that you dont have to constantly resize them. You can even resize the whole window if you want; its a feature that we think some people will really appreciate.
Once youre used to Live, youll find the Ribbon Bar a little hard to ignore (if youre a Mac user). The Main Control Panel has been redesigned, and Live now looks a little more like Logic, with tabs, page switcher, panels and clips on the same screen. This is really useful for those with a large collection of clips, as they wont need to constantly switch between top and bottom sections of the interface.
The final part of the tutorial will give you a basic understanding of how these filters work in Ableton Live. This includes two different ways of using the synthesis filter to control real life analog synthesizer oscillators, how to use these filters as envelope follower and how to modify the filter to add extra complex effects. The filters are perfect if you need a complex and controllable filter without the expense of a full analog synthesizer. I can certainly recommend the filters for any producer.
The second part of the tutorial will cover another new feature for Live 9.5, Live’s Nova2 synth (its own synth panel). The Nova 2 has over 200 presets and sounds, a wide range of synth oscillator types, modulation, LFOs, effects, filters, retriggers and even Ableton Push 2 integration. This part of the tutorial will show how to quickly create a new preset and utilise the new filter system on the Nova 2. The main thing to remember is that the filters can only be applied after the presets are created and that they have to be applied from the Filter Editor not the Control panel. The second thing to note is that once you apply a filter, you can only apply it on the oscillators that use the filter and not other oscillators. This limitation is implemented to make life easier when applying changes to oscillators but could also be limiting.
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Ableton Live Review
In this version of Live you can capture MIDI data and place them on tracks, using Edit–>Clip Selection. That means that you can adjust the pitch, volume, and modulation of notes and chords during recording, and then edit your newly captured MIDI data as you would after importing a real clip.
As I mentioned earlier, a new instrument plug-in makes Live 11 even more versatile. Wavetable provides 256 preset wavetable patches for six instrument models. A lot of the tips for creating and preserving synthetic sounds in your own music come from Marcus Schütze, who studies and develops these software emulations of hardware and analog synths.
The Arpeggiator effect is another new addition to Live. It lets you strum a chord or play a lick, and it will generate repetitive musical tones and arpeggios. The possibilities are endless when you consider that you can customise the arpeggio shape and tempo, and its output includes MIDI and audio. As with the Wavetable preset, you’ll need to register to get the patches.
Together, the Wavetable and the Arpeggiator add a substantial but maybe unexpected dimension to your sounds: They’re going to give you many new ways to transform your midi notes into aural rhythm, create cool-sounding, eerie melodies, or just add a little funk. Those who already use Live will be pleasantly surprised by how easily this synth program now allows for further musical freedom. I’m not a mind-reader, but I think it’s clear that Ableton was trying to take one, big step towards making this mainstream software sound not at all like last year’s DAW.
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What’s new in Ableton Live
- Bigger I/O layout, with a redesigned panels and sequencer.
- New effects panel.
- A free Rack Extension store.
- New project, audio and MIDI
- New Event
- New layout of
- New context browser
- DSP profiles
- Looper tools
- Additive synth
- Redesigned user interface.
- Room explorer
- Sonic visualizer
- Solo and track mute
- Chord lanes
- Selection of in and out
- Track effects: tempo compression, time stretch and damage
- Intelligent FX automation
- Simpler monitoring
Ableton Live Features
- Save your Live Set Sessions in the cloud.
- Support for Kontakt5, Kontakt6, Nuendo7, LN8, Cakewalk9 and Pro Tools.
- Ability to notate, edit and save the audio of your session.
- Export session presets for automated re-performance using Ableton Live 9.
- Work with multiple Ableton Live projects simultaneously, and lock your session while working on a different project.
- Ability to display waveform monitor on playback devices.
- Ability to re-draw on the timeline.
- Improvements in Max for Live should stability be an issue.
- MIDI and audio now both play through Ableton’s virtual monitor simultaneously.
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